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POTTED GERANIUMS, SUMMER DAZE

by admin on September 1, 2014

POTOFGERANIUMS.72.b

This is the first and the last watercolor of the summer season.

Sadly I didn’t get around to working, much at all, with my favorite medium until this past Labor Day weekend.

But still this little 5×7 piece satisfies all the colorful plans I held onto through my summer daze.

 

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FLOWERBED

by admin on August 21, 2014

FLOWERBED.CRIMSON.72

Following up on an earlier post.

DRAWINGS THAT FEEL LIKE SCULPTURES.

Much of the inspiration that I mention in that post carries through to this one.

 And here it is as it lives in it’s frame.

IMG_5632

 

 

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MEL ON MY BOAT

by admin on August 15, 2014

My father had a sailboat when I was a kid. I spent a lot of time on the water. Here is my lovely and loving wife Mel on that boat. I think, mostly, my subconscious drew this. It sort of happened without me really knowing what I was up too.

MELontheboat.crop

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THINKING PALETTE

by admin on August 13, 2014

BOYHATKICKINGLEG.72

BOYHAT

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AUGUST 11×14

by admin on August 8, 2014

 A studio cross section shot.

AUGUST

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ORION 11×14 OIL

by admin on August 6, 2014

Plagued by gods, by reason and by insight, Orion lumbers blind through a mystical landscape. Nicolas Poussin’s Blind Orion Searching for the Rising Sun, 1658, invokes the narrative of  early man, and is the reference for my own contemplation above. On the verge of cinematic, Poussin’s painting reaches beyond the limitations of the static tools used for it’s creation and projects an insightful thesis on what continues to envelop our human experience, “I am hear but I don’t belong.” I’ve also included here my initial lay-in because it provides foundation and further suggestion to this pre historic motif.

ORION.FINAL.FRAME.72Final state. In frame.

ORION.D.2.72Second State

ORION.A.72Initial lay in.

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MINI CRAYON PAINTINGS

by admin on July 8, 2014

Discovering New York City never ends.

Riverside Park is an incredible legacy left for generations to ponder.

EDGEWATERNJ.EVENING.72Edgewater

FLOWER.RIVERSIDEPARK.72Botanical

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PALM WITH HONEYMOON, 18×24 WATERCOLOR

by admin on June 21, 2014

On the  beach at Jost Van Dyke, Mel relaxes and enjoys our honeymoon. I can remember being there, again, each time I look at this painting. It’s different from taking a photo. When you’re painting, your “here”  in a different way. It’s why i love being the painter that I am.

It’s a treasure, this intimate water color, of my dearest treasure, Mel.

 

JOSTVDYK.MELPALM.C.72

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ANOTHER NEW HOME, A NEW VIEW, EARLY SUMMER

by admin on June 15, 2014

Quantity? Quality? I will never get to paint all that I see and feel. Sometimes working on one long painting over time  just does not do it. These drawings are done in the moments when the inspiration is revealed.

Presence is a core theme in my work; my presence, the presence of the world around us, and your presence. How much can you give to a painting, bring to a painting? The final piece is you. You are who brings life to a painting. Our job as artists, pass or fail, is to “acquire and delight.” Acquire your attention and delight your senses. Whatever they may be.

 

UWSSHADESAPT.72Buildings stand statuesque, lit by a western sun, my palm and shades shade

this spectacular point of view, my window.

 

CP.BUILDINGTREESSTONE.72The north end of Central Park. The skylines simplifies,

the ground swells with the mass of a large sunlit stone.

CP.TREESKYBUILDING.72Tree, sky, building

 

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DRAWINGS THAT FEEL LIKE SCULPTURES

by admin on June 3, 2014

Riverside Park is beautiful right now. It provides a lovely dense canopy to paint under, interesting and intersecting paths to ponder, as well as planted gardens with Iris and Poppies. These drawings are on the verge of abstraction and feel weighty and sculptural. The first are large violet blossoms guarded by iron fencing, the kind so typical of the Upper West Side. The second, Irises, two stalks, amidst the deep values of nearby plants and flowers.

RIVERSIDEPARK.flowers.72

RIVERSIDEPARK.flowers.iris.72

Below a young guy riding uptown.

My drawing style feels fatigued here, technique almost none.

YOUNGMAN.PORTRAIN.LIGHT.72

 

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